Kerala Classical Art:
Mohiniyattam :
 
This classical solo dance form combines the graceful elegance of
bharatanatyam with the vigour and dynamism of kathakali, to create a
mood that is predominantly sringara (erotic). The dance is usually
performed on specially put up stages in connection with temple
festivals. The costume is the traditional white mundu and melmundu
of kerala. The hair is gathered and put up at the side of the head
and adorned with jasmine, int the traditional style.
Bharata Natyam :
 
It is believed to be india's oldest form of classical dance. This
dance form which is called poetry in motion, has its hoary origins
in the natya sastra written about 4000 b.c. by sage bharatha. This
art form grossly disallows new fangled innovations or gimmicks
except in repertoire and forms of presentation. It was originally
known as 'dasi attam,' a temple art performed by young women called
'devadasis.'
Bharatha natyam is commonly performed by women, but sometimes by men
also. There are strict guidelines laid down regarding every single
aspect of the art including the attributes required in order to be
an accomplished dancer.
Chakyarkoothu :
 
Also called koothu, is one of the oldest classical theatre arts of
kerala. The solo dance is usually presented in the koothambalam of
temples to the accompaniment of the mizhavu and elathalam. The
performance begains with an invocation to the presiding deity of the
temple. The narration is enlivened with the thandava dance
movements, gestures and facial expression according to the
guidelines in natya sastra. Koothu is distinct for its comic element
which adds to its dramatic character. Themes are usually from the
epics. The costume is colourful and bizarre with a strange headgear.
Kathakali :

This spectacular classical dance drama of kerala based on the
guidelines laid by sage bharatha's natya sastra, the ancient
treatise on dance and drama, is over 500 years old. This elaborate
art form is usually performed in the evenings and continues up to
dawn, and is an integral part of all temple and cultural festivals
in kerala. The costumes and makeup are ornamental, elaborate and
designed to give a superhuman effect. The actors do not speak or
sing but enact the story through mudras (hand gestures), graceful
movements and facial expressions. The themes of this awe inspiring
art are taken from india's rich and colourful mythology. Music is an
essential feature of kathakali, with two vocalists who sing to the
accompaniment of a chengila (gong), elathalam (small cymbals),
chenda and maddalam.
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